DomainsFilm
A production, from first idea to distribution.
Film in Scripveil is a production operating system. It follows a project through seven stages and keeps the scenes, people, places, departments and days of the production connected as it goes.
Develop and manage film and episodic productions through story, script, characters, scenes, cast, crew, locations, departments and production workflows.
- 01Development
- 02Greenlight / Packaging
- 03Pre-productionNow
- 04Principal Photography
- 05Post-production
- 06Delivery
- 07Distribution
The production lifecycle, and what each stage needs.
From development through distribution, a production changes what it needs to see. Story and packaging come first; then scenes, cast, crew and schedule; then shooting days and continuity; then post-production and delivery.
Select a stage
- Shooting Schedule
- Scenes
- Cast
- Crew
- Locations
- Departments
- Call Sheets
- Equipment
- Story
- Script
- Packaging
- Key People
- Project Scope
- Shooting Days
- Props
- VFX
- Continuity
- Post-production information
- Delivery requirements
In Pre-production, a Film project brings forward Scenes, Cast, Crew, Locations, Departments, Shooting Schedule, Equipment, Call Sheets. Everything else stays in the project, just out of the way.
One scene, and everything it touches.
A scene on the page becomes a list of everything the production has to provide: cast, wardrobe, props, camera, lighting, sound, a location, a day on the schedule and the permits it depends on. Scripveil breaks the story down the way a production does, so every department works from the same breakdown, and a change to one scene, set or prop shows up everywhere it matters.
Scene 22, Scene. 10 breakdown groups. Shot on Day 5, at first light.
- Scene
- 22
- Set
- EXT
- Time
- Dawn
- Pages
- 2 6/8
- Shoot day
- 5 of 18
- Location
- Harbor Steps
Vera and Tomas reach the harbor as the tide turns, and she realizes the steps are not where the map says they are.
Story
Adapted from Chapter 22
Breakdown
14 elements tagged
Production (current)
Permit and second coat open
Schedule
Day 5, call 04:30
Execution
Not shot yet
Scene breakdown
- People
- Things
- Technical
- Effects and requirements
Cast
- 1 · Vera Kess
- 2 · Tomas Reyes
Background
- 2 harbor workers
Wardrobe
- Vera: ochre coat, wet (copy 2 of 2)
- Tomas: oilskin
Makeup and hair
- Wet hair, cold skin tone
Props
- Harbor lantern (practical)
- Mooring rope
Set dressing
- Nets and floats on the steps
Camera
- Handheld, 35mm
- 7 setups
Lighting
- First light, lantern as key
Sound
- Surf; wild lines on the quay
Special requirements
- Tide window 04:50 to 06:10
Strip board · shooting days
Shot on Day 5, at first light this scene
Continuity
- Sc. 21Coat still wet from the rain; hood down
- Sc. 22Lantern lit, then put out when the sun clears
- Sc. 23Coat dry by the time she reaches the market
Depends on
- Harbor permit · for the dawn shootIn progress
- Second wet coat · wardrobeTo do
- Tomas cast · shortlist of twoIn progress
Crew on it
Jun ParkDirector
Priya NairCostume Designer
Lena FischerProducer
Sam HollowayCasting Director
Try a change. See what else in the project responds.
Production work belongs to departments, and to a stage.
A film is made by departments working toward the same schedule. Production tasks sit with the department that owns them, at the stage the production has reached.
Camera
- Choose lenses for the observatory scenesIn progress
Art
- Dress the observatory setTo do
- Source period charts and instrumentsIn progress
Wardrobe and Makeup
- Costume fitting for VeraTo do
- Test the aged-character makeupTo do
Sound
- Scout the harbor for ambient soundTo do
Bring a film project to Scripveil.
Keep the production’s scenes, people and departments connected all the way through.